Design to lead the new trend of social civilization

李小芳

2023-02-25 10:02:00

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Public art and design are playing an unprecedented role in helping to solve social problems, improve the quality of life of the public, and serve economic and social development. As we can see from the 4th China Design Exhibition and the special exhibition of public art, public art and design are becoming an important medium to enhance people's sense of social participation and access, identity and belonging, and actively promote rural revitalization and cultural tourism integration, urban renewal and community governance, enhance people's aesthetic level and cultural taste, and lead a new social and civilizational trend toward newness, upward mobility, beauty and goodness.


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Title of work: Yokohama Art Museum

Designer / Institution: Shanghai Academy of Fine Arts, Shanghai University, Shanghai Shangda Architecture Design Institute Co.

Completion Date: 2021-2022


It has become a major trend for culture and art to go public, enter social space and interact with the public. Jin Jiangbo, one of the curators of "Art Museums without Walls: Aesthetic Experience for the Public" and Vice President and Professor of Shanghai Academy of Fine Arts, Shanghai University, said that in this process, art is more concerned with serving the community, becoming a medium of expression for residents, and at the same time serving as a means of local reshaping, promoting community integration, narrowing the distance between residents' lives, social experiences and artists. The distance between the artist, three-dimensionally presenting the story of people and land, community, environment and culture, thus achieving place reinvention, creating new collective memory and enhancing the aesthetic experience of the public. The "Rituals of Disappearance - Participatory Public Art Project" is dedicated to exploring the aesthetics of generative practice, redefining living environments and community art through continuous development and evolution, and through remote collaboration and resident participation, artists continue to Through remote collaboration and residency, the artists continue to reflect on their relationship with the spatial field and how to engage in dialogue with the history, nature and culture of the field, proposing the practical concept of "this is their life and the starting point of our artistic practice".

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Title of work: " MIRRORING ANREN" theatrical secret digital media creation

Designer / Design Agency: A collective ART+TECH

Completion date: 2019


Jiang Jun, an independent curator and post-doctoral fellow at the School of Architecture and Urban Planning, Tongji University, who has been focusing on the cross-border integration of public art and urban governance for years, curated "Immersive Theatre: Performance Activates Public Cultural Tourism Space" and "Place Reinvention: The Driving Force of Art Festivals". case studies. He said that under the general trend of internal circulation of the national cultural tourism industry, both cities and villages are creating their own charming cultural tourism matrix, and public space is becoming a stage for people to carry out various cultural activities, and through the integration of new technologies, visual artists, stage designers and theater performers work together to try to open up the boundaries of various art and cultural fields, so that people can get a new immersive experience in public space. The project is a collaborative effort between visual artists, stage designers and theater performers to bridge the boundaries of various artistic and cultural fields and to provide a new immersive experience in public space.

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Title of Work: "Transformation Workshop - Illusion 2099" Public Art Project

Designer / Agency: A collective ART+TECH

Completion date: 2021


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Work title: Wuzhen Theatre Festival Public Space Art Exhibition Plan

Designer / Institution: Department of Public Space Art, China Academy of Art, Zheng Jing, graduate student of Landscape Installation Art Studio, graduate student of Art Engineering and Technology Studio

Completion date: 2021


Among them, the "Wuzhen Theatre Festival Public Space Art Exhibition Project" is a permanent practice project that the Department of Public Space Art of China Academy of Art has been invited to participate in since 2018, through the intersection of cultural research, technological upgrading and formal renewal, experimental art forms intervene in public cultural activities, presenting young artists' thinking and practice of integrating multi-dimensional The project presents the young artists' thinking and practice of integrating multi-dimensional spatial narratives. The "Transformation Workshop - Illusion 2099" public art project takes the relationship between man and machine in the age of intelligence as the narrative thread, and the self-redemption in the information age as the core value, and organically integrates multi-linear immersive theatrical performance and technological art display in a field based on future tense. The old transformer factory has been transformed into a new "hybrid venue" where multiple forms of business coexist. Each space and installation are both theatrical and experiential, serving as props for theatrical performances and providing interactive art experiences for the audience, while the development of the installation uses emerging technologies such as artificial intelligence, emotional computing, and programmable robotic arms to provide the audience with the possibility to experience, think about, and shape the future.

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Title of work: Xing'an League Rural Revitalization Costume Cultural Creation Series

Designer / Agency: Wei Qinwen, Wang Miao, Gao Yuxuan, Chen Zixin

Completion date: 2021


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Title of workXing'an silk scarf

Designer / AgencyWu Qingman, Han Xinran

Work Completion Date: 2019


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Work Name: Dongxiang Poverty Alleviation Series

Designer / Agency: Song Jiajia, He Shuang, Han Xinran, Wu Qingman, Liu Yixuan, etc.

Completion date: 2020


While cultural and artistic activities empower the improvement of soft power, innovative design explores and recreates local cultural resources, promotes sustainable cultural ecological reshaping with a new look, and helps rural revitalization by promoting the creative transformation and innovative development of traditional handicrafts and traditional culture. The curators of the three case sections of "Design Services: Regional Cultural Recreation and Design for Poverty Alleviation", "Creating Resources: Design for Rural Revitalization" and "Blue Fashion: Traditional Blue Dyeing Techniques" are Lan Cuiqin, the curator of the three case studies and the director of the Graduate School of Beijing Institute of Fashion, said that the real value of design for poverty alleviation lies in facing the traditional culture of local ethnic groups, guiding local products out of the region to the consumer market and creating economic value; at the same time, establishing cultural confidence and creating resources for poor areas.

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Work Name: King Tiger

Designer / Agency: Wang's Hand Creation Wang Danqing

Completion date: 2021


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Work name: Joy on the branch Bluetooth audio

Designer / AgencyWang Sujuan, Liang Yanlei, Liu Yun

Completion Date: 2017


Focusing on the contemporary reshaping of regional and ethnic cultural elements, the exhibited work, "3C Hand Embroidery Series", collides Chinese intangible cultural heritage hand embroidery with modern technology, bringing a distinctive visual aesthetic. The idea of the work originates from the traditional Chinese ritual culture of "joy on the branch", the magpie pattern is supervised by the Chinese intangible heritage embroidery masters, and the hand-made embroidery pieces are produced by the embroiderers in the mountainous areas. Then, through the innovation of the supply chain of handicraft products and industrial products, we can realize the "transformation of the products into gifts and non-heritages". The work "the city exports design and supply chain, and the place of support imports embroidery pieces or other production materials", which provides long-term and sustainable material purchase orders for the place of support, creating local warm gifts and docking the trillion business gift market.

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Title of work: Bamboo: Bamboo Weaving Tools and Design

Designer / Institution: Song Jiajia, Yang Hongjun, Li Ying, Lan Cuiqin, etc., Beijing Institute of Fashion

Completion Date: 2020


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Title of work: Mycelium & Design

Designer / Institution: Li Mingliang, Gao Xin, Li Yiji, Beijing Institute of Fashion

Completion Date: 2020


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Title of work: "The Young don’t go to Sichuan" blue print fashion specific series

Designer / Agency: "Li Ning" brand "Zhengxing Dyeing Workshop" cooperation project

Completion date: 2021


Lan Cuiqin believes that design plays a role in the process of moving the countryside from a relatively self-sufficient closed system to an open system with multiple interactions. By reasonably tapping the local material resources of the countryside by means of design, integrating innovative technology and industrial resources to drive the construction of the countryside, promoting "design + industrial internet" to empower the development of rural experience and consumption economy, and especially allowing farmers to truly participate and become the providers of design services, will fully activate the value of their independent labor. Through design-empowered consumer experience innovation, urban population will be diverted to the countryside for experience and consumption, forming an industrial Internet operation mode based on co-creation of design-empowered countryside, which is a feasible path for design to intervene in rural revitalization in five aspects: industry, talent, culture, ecology and organization.

图片Project Name: Changli Garden

Designer / AgencyZi Weizhai Architecture

Completion date: 2019


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Title of Work: Putuo District Citizen Reading Center (Shangxue Center) - Seven Bright Lights on Cao Yang Road

Designer / Agency: Field Architecture

Completion Date: 2021


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Project Name: Shanghai Yongjia Road Pocket Plaza

Designer / Agency: Shanghai Akomixing Architectural Design Office Co.

Completion Date: 2019


For urban renewal and community governance, the design also slightly intervenes in the urban space in the way of "micro-renewal", which not only avoids the "big demolition and construction" of the city, but also preserves the The design also slightly intervenes in the urban space in the form of "micro-renewal", which not only avoids the "big demolition" of the city, but also preserves the memory of the urban era and gives the old city a new look. Li Xiangning, the curator of "Continuing the Cultural Lineage: Spatial Strategies for Urban 'Micro-Renewal'" and Dean of School of Architecture and Urban Planning of Tongji University, said that "micro" is reflected in not destroying the original It does not even involve the adjustment of the nature of land use, floor area ratio and other indicators. The Shanghai Yongjia Road Pocket Plaza project, located in the heart of the city's old neighborhood, is surrounded by old-fashioned lane residences, while new and vibrant businesses are gathered nearby. The designers used the steel and wood structure of the open corridor and the dry land fountain in the central square to create a quiet and dynamic space atmosphere and a variety of spatial possibilities; the brick-red paving and green steel pillars are integrated with the city streets and the residences on both sides, preserving the fireworks and familiar scenery of the residents.

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Title of work: "Greenery without Borders" Guihai Qinglan Art Festival

Designer / Agency: Lu Zhengyuan, Wang Sha, Bin Zecang, Sun Haibo, Yu Liman

Completion date: 2021


Article Source:艺术与设计

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