我对现实的表现不感兴趣，至少对纯粹的复制不感兴趣，我的图像不需要正确的视角，这无关紧要。相反，它更清楚地指出了一个误解：绘画永远不会受制于我们的现实，每幅画都有自己的现实。
——Fabian Treibe
法比安·特雷伯（Fabian Treibe）1986年出生于德国吕德维希堡，他的创作受敦煌艺术影响，擅长用落差色系和去透视构图去呈现黄昏和深夜的诗意时刻。单独的物体，人类存在的痕迹与关于自然风光、植物、草地的观念相融合。通过特雷伯独特的图像语言，创造出一种超现实、神秘而特定的氛围。这使得观众可以自行解读，并将这些图像转化为属于个人的联想、解释和故事的投影空间。
Fabian Treiber
There Must Be Other Ways2023
acrylic, ink, oil crayon and pastels on nettle
150 x 370 cm, 59 x 145 5/8 in
在他的作品中，法比安·特雷伯将不断变化的色调、形式和线条交织在一起，它们占据了自然提供的空间，成为人物和姿态的碎片。他们提出了一种模棱两可的截然不同的解释，而不是线性的，什么可以被感知，什么仍然是隐藏的轨迹。
Fabian Treiber
I Was Up Before Dawn2023/24
acrylic, ink, oil crayon and pastels on nettle
160 x 350 cm, 63 x 137 3/4 in
他的作品能够立即让我们沉浸在一个弥漫的暂时的领域，通过颜色，光线和气氛传达，去挑战可见和不可见的二元性。作品的思辨引导着新的方向，去达到理想中的共鸣。苏珊娜-韦斯在《清醒的梦境》中提道：“他对那些’最常见的事物’的看法是空灵而清醒的，在微妙平衡的情感交织中，奇妙地表现出不稳定的状态。在这种状态下，缺席者可以在场，在场者也可以缺席。”
Fabian Treiber
Face The Strange2023/24
acrylic, ink, oil crayon and pastels on nettle
180 x 260 cm, 70 7/8 x 102 3/8 in
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Beyond It Starts To Fold In Slow Motion2024
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A Matter Of Sensations2023/24
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It's Not Late, It's Only Dark2024
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The Time For Us2024
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Everything Can Be Replaced2024
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What I Found2023
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You Can't Hide What You Intend2023
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Passing Through2024
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It Ain't Yet Come2024
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150 x 110 cm, 59 x 43 1/4 in
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Closer Every Day2023
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Piece Of Ground2023
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