Cultural relic photography is a stunt.It is easy to shoot the shape and capture the charm.The quality of the work often does not depend on hardware, but in the heart of the photographer.The process of shooting is actually a silent dialogue with cultural relics. Only with understanding to shoot can we express the spirit of cultural relics.In recent years, the cultural relics photography works of "arterial shadow" have been seen in the circle of friends and loved by everyone.The most amazing thing is not the work itself, but the subject.The arterial shadow is not a person in the literary world, not a collector, or a professional photographer. Cultural relic photography is just this very talented and extremely low -key 80s young man's amateur to play tickets.The most valuable thing is that the shooting ofarterial shadowis performed in the middle of the museum. There is no background paper, no professional lights, and various interference must be excluded.Even such a harsh condition can still make amazing collection -grade films, creating a benchmark of a cultural relic shooting, and the achievement is promising.
The following works come from the authorarterial shadowphotography.

During the Yongzheng period, the production of pastel porcelain entered a prosperous period, and the firing technology continued to mature. Both official kilns and private kilns could produce high-quality pastel porcelain. "Tuyu pot and spring bottle" are fired from folk kilns, and the pastel porcelain fired from official kilns is even more precious. In the Yongzheng period, the pastel body was white, and the patterns were diverse. Common patterns such as flowers, travertines, bats, pine trees, and ganoderma lucidum imply auspiciousness.

Cowpea red is a kind of copper red high temperature glaze, which is a copper red glaze variety that appeared in the late Kangxi period of the Qing Dynasty.
The color of the glaze body is light red, and it looks like a child's face, like a peach blossom in March, so people's nicknames are also very romantic, such as "baby face", "peach blossom slice", "beautiful drunk".

Ming Chenghua blue-and-white porcelain is a traditional famous porcelain in the Ming Dynasty in China.
The Chenghua Dynasty in the Ming Dynasty lasted 23 years, and the production of the Jingdezhen Imperial Kiln Factory returned to normal. It was an important historical period in the history of Chinese ceramics firing.
The outstanding features of its utensils are exquisite and exquisite, ingenious in shape and meticulous in craftsmanship.

The birth of the twisted body and twisted glaze ceramics in the bionic Tang Dynasty made the artificial utensils take a step towards the opposite pursuit of natural aesthetics. Rabbit hair, oil droplets, tortoiseshell and partridge spots in Song Dynasty, with their high aesthetic level, provide another way of thinking for bionic porcelain. The Qianlong period of the Qing Dynasty was the peak of bionic porcelain, and imitation wood, jade, bamboo, stone, bronze, red, gold and silver appeared. The bionic porcelain of the Qianlong Dynasty has changed from imitation glaze to imitation shape.

After the introduction of Dehua white porcelain to France, the locals who claimed to be romantic can skip meals were instantly shocked.
OMG! It turns out that there are such otherworldly porcelains in the world!

They made a new name for this: BLANC DECHINE, which means Chinese White in French.

Article Source：艺术与设计

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