艺术与设计 - Yang Jun: The Hidden Landscape of Hangzhou

It's not about the architecture, it's more about the experience of the site and respect for nature. The designers wanted the building to be part of this natural experience.

Aerial photography overlooking the entire building is hidden in the natural landscape, the trees are lush, blocking part of the skylight, open-minded in the mountains and rivers, detached from the outside world. Designers try to make the structure and nature dialogue and echo each other, and at the same time reconsider the relationship between architecture, people and nature.

At the beginning of the design, the designer remodeled the facade of the entire building. The exterior wall of the original building was abandoned, and on the basis of the existing architectural form and structure, the originally closed box was opened, and the design forms such as long windows and large pieces of floor-to-ceiling glass were adopted, and multi-level light was introduced to let the natural scenery. It is integrated into the interior to create a natural, open and efficient meeting and office environment.

The architecture is a subtle response to the landscape, and the designers carefully crafted a subtle transition between nature and structure, interior and exterior, light and heavy.

In this project, the designer takes advantage of the natural environment around the building and uses seasons, space, light and shadow, green plants in the courtyard and boundless waterscape in the west as the structure, and adopts contemporary minimalist methods to express the structure, so that the building and space can highlight the layers. , man and nature fully communicate.

Stepping steps use material changes and lighting changes to enrich the layering of the courtyard scene, and maintain a relationship with the building structure, so that the entire scene is no longer rigid.

The free front hall completes the creation of the field atmosphere that enters the entire space. The great freedom allows the space to have more possibilities. The designer of the large space on the first floor adopts the method of leaving blank space, so that this space can be used for exhibitions, gatherings, etc., and can accommodate various forms of content. The top surface is made of aluminum plate, which makes the whole space have a floating feeling and can breathe freely.

The handrails leading to the second floor are scattered like fences. When you go up the stairs, the large glass windows on the second floor flood the space with natural light. The designer tries to ensure the transparency of the space and the integration of the outdoor landscape.

The functional division of the space on the second floor is mainly composed of three parts: experience area, negotiation area and office area. In particular, the designer has done a lot of subtraction in the design of the negotiation area, removed a lot of walls, and borrowed the outdoor natural landscape indoors, so that people can feel the changes of the four seasons, and at the same time enjoy a quiet experience and work indoors.
In the two negotiation areas, special consideration was given to the design of the fireplace. In winter, when the outdoor leaves are falling and snowflakes are flying, the warm fireplace is lit.

The quality of the space needs to be enriched by details. Imported brands and antique furniture are used in the selection of furniture, and the furniture designers in the living room and conference room have designed them, adding more "interestingness" to the space. Make the space more inclusive and let home furnishings evoke the emotion of the space.

In two of the office areas and the reception area, the borrowed scene of a window shows another pursuit of an ideal living state. The old tiles on the eaves outside the window are just parallel to the line of sight. Especially on rainy days, the raindrops hit the tiles and made a ticking sound. The next day, green moss grew on the tiles, which was very calm with the sound of birds chirping in the distance.
The furniture and sloping ceiling in the office area are mainly made of wood. The designer explores how to create quietness in the modern space and create a subtle atmosphere, which is more like exploring the oriental space temperament. However, as the line of sight shifts 90 degrees, the huge floor-to-ceiling glass spills the sunlight and lush greenery outside the window into the interior, which comes alive. The opposition and impact of movement and stillness are very interesting.

△First floor plan

△Second floor plan

Yang Jun
Founder & Design Director of Yang Jun Interior Design Office Yang Jun Design Office, founder of LINE PARK Linear Park Home Life Aesthetics Museum, was established in 2009 in Hangzhou. Relying on the service mechanism integrating the overall hard and soft decoration design, upholding the international vision and original spirit, it provides configuration services for high-end private house owners and commercial overall design customers with strong design strength.
And in 2017, the LINEPARK Life Aesthetics Museum was established, which selected the classic design works of global masters, and the selection criteria were compared with others, emphasizing the sense of design and fashion. The beauty of life. At the same time, it has an interactive space for online and offline sales and exhibitions, and holds exchange activities from time to time, so as to more quickly follow the international fashion furniture trend. The design we advocate does not refer to the concept of design itself, but to lead a stream of consciousness. We hope that the platform of Line Park is like a thread, through which a new concept of life is conveyed and a more personal The temperament and infinite vitality of life makes the linear park a new starting point for customers to improve their quality and open up an aesthetic life.
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