Adding bright colors to a home space is always labeled as "bold". When did color become a design element that people both "look forward to and fear"? To use a variety of colors harmoniously in an interior design, experienced interior designers usually use "small" pieces of brightly colored furniture as accents, rather than laying out large blocks of color to create a sense of oppression. The recent "In The Direction Of Colour" furniture exhibition, presented by London-based design gallery newcomer Fels and Staffordshire Street Studios, presents a number of examples of how color can be used in interior spaces.

Although the theme of the exhibition is "color," there are no overwhelming blocks of color in the showroom; the works of 13 London-based designers and studios are displayed in the simplest of juxtapositions, even if somewhat randomly. Curators and gallery founders Finbar Conran and Oscar Mitchell said they tried to simplify the work by simply having different colors "in the same frame" to show how color is being explored and used in contemporary design.

"There's a fine line between taste and kitsch," Finbar explains. Finbar explains, "So we consciously did not use anything like a 'rainbow' of gradient tones to set up the exhibition." Oscar, on the other hand, didn't think it was a difficult task, mentioning, "Because each work actually has its own color and personality, it simply needs to be displayed so that it naturally speaks to the rest of the exhibit. Our job is simply to arrange the works accordingly to their nature. For example, strong purple and blue areas are naturally formed throughout the exhibition."

The purple and blue areas he refers to range from Marco Campardo's monochromatic "Jello" low stool, to Bethan Laura Wood's "Mono Mania "sofa bed by Bethan Laura Wood, to the "I" steel side table by Philippe Malouin; then the same color palette is linked to the purple color from "Studio Furthermore". "The same color palette then links the purple Lacuna lamp from Studio Furthermore and, in another corner of the gallery, the Fuzzy Hi! breed chairs. The fuzzy touch represents an anthropomorphic exploration of inanimate objects in the concept of emerging designer Charlotte Kingsnorth, who seeks to create a connection between objects and humans through design.

The most "consistent" use of color in this exhibition is LS GOMMA Studio, whose exhibits are all in red. As an up-and-coming design studio dedicated to exploring the concept of "materiality" and questioning and rebelling against existing design industry techniques and product types, their designs are rooted in functionality, but also seek to use color to add a sense of design. Their three works, the ISSA vase, the night lamp and the Teenage lamp, all capture the viewer's attention with their dark red hues. The overall structure of the vase and the night lamp shade is made of rubber, which is intended to be an alternative to ceramic or glass. The resulting translucent visual effect makes the product not only functional, but also waterproof and less likely to break. Although the material is new technology, the production is still handcrafted to ensure uniqueness and craftsmanship.

Among the exhibitors was British designer Bethan Laura Wood, who is known for her colorful wear. She presented not only the "Mono Mania" tapestry collection, but also the "Frilly XXX" hook collection with its "erotic" connotations. Made of Italian Murano glass, the collection is full of colorful designs, like a "drunk octopus swinging its fist". Similarly, the "Mikadosan" (Mikadosan) table and chairs by Japanese designer Rio Kobayashi and the "Spare Parts" (Spare Parts) side table by Andu Masebo are also similar. （Spare Parts side table by Andu Masebo. "Mikadosan is inspired by the eponymous tabletop game Mikado Stick - a balancing game consisting of 31 different colored bamboo sticks. The designer has not only placed red, blue and yellow stripes in the structure of ash wood, but also borrowed the slimness of Mikado in the main form, thus highlighting the exquisite woodworking and craftsmanship of the chair.

"Spare Parts" may seem to resonate with the work of artist Jeff Koons, especially the sausage-like circular structure that immediately evokes Koons' iconic inflatable dog. But in fact, Ando chose to use raw materials from discarded car parts, and chose the automotive industry's spray paint technique to color his furniture design, which is a unique idea.

When asked about the curators' favorite designs, both chose Tino Seubert's work: Oscar chose his "Grow Up" planter. He said his favorite thing about the giant metal planter was the tie-dye style hand oxidation technique. The metal surface of the planter creates splashes of color, and the form and color are stunning. For Finbar, Tino's "Wicker Stool" deserves to be on the list, with its purple anodized aluminum and naturally woven corduroy, a surprising combination of natural and industrial elements. "However, if I had to choose my favorite, it would be his yellow 'Cable rug' (Cable rug), because he has made a very practical item more beautiful and still retains its original 'power supply' capability." Finbar says.

In fact, under the overarching theme of "Towards Color," whether the designers are color-conscious or using color for specific projects, the use of different materials, processes and techniques in the work on display reflects London's vibrant design community - "London is an inclusive and inclusive city. - "London is an inclusive and diverse city. The community of designers here comes from all over the world, so the exploration and use of color is a direct reflection of their own cultures and personalities. And because color is everywhere, we believe that the ability to mix (or subtract) these colors is an important factor in judging a designer's excellence." Finbar and Oskar conclude.

Article Source:艺术与设计

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